Tuesday, August 17, 2010

Lev Vygotzky

Lev Vygotzky was a child psychologist, developmental psychologist and developer of an education system around his theories and ideology. Vygotzky's idea was where Bruner derived his ideas from; he was one of his followers. Like Bruner, Vygotzky believed that a child has great potential if pushed to his/her limits and taught by a capable instructor.

Vygotzky's teaching strategies excluded standardized testing and included children as teachers of their peers. He believed that a child should be pushed and that those that are excelling should be used to help those that are lacking behind. He also believed that it is the teacher's responsibility to assess their students' progress and capabilities. Another one of his strategies was that encouragement should be offered to a student "in such a ways that he/she can practice their skill" ("Lev Vygotsky"). The fourth tactic is to promote and supervise the child's personal language. The fifth strategy is to set education in a meaningful framework. And, lastly, the sixth strategy is to "transform the classroom with Vygotskian ideas" ("Lev Vygotsky").








"Lev Vygotsky." Wikipedia. 2009. Wikmedia Foundation

Jerome Bruner :“提供幼儿机会,让幼儿发掘本身的学习动机。”

布鲁纳 ( Bruner )美国心理学家和教育家说:

“提供幼儿机会,让幼儿发掘本身的学习动机。”


Although Jerome Bruner is different than Jean Piaget, he also has three "modes of representation" ("Jerome Bruner"): enactive, which is action-based; iconic, which is image-based; and symbolic, which is language-based. However, different from Piaget, he does not keep these modes in defined stages; instead he believes them to be overlapping and loosely chronological. And, starkly different from Piaget, Bruner also believes that anyone at any age can learn many things as long as it is taught to him/her in an age-appropriate manner. Therefore, his main focus is on learning and ones capabilities, and not on what a person can or cannot do at a specific, given timeframe.

Those three modes are in the area of learning and categorizing, but he also believes that there are two primary modes of thought: narrative and paradigmatic. Narrative thought processes are in the form of story-telling, some times similar to a soap opera; and paradigmatic thought is structured and logical.

His overarching theory is that people categorize everything. His understanding is that people interpret everything around them in terms of similarities and differences. Similar to Bloom's Taxonomy, Bruner believes that the brain is simply a system of coding in a "hierarchical arrangement of related categories" ("Jerome Bruner").



"To perceive is to categorize, to conceptualize is to categorize, to learn is to form categories, to make decisions is to categorize."

- Jerome Bruner



"Jerome Bruner." Wikipedia. 2009. Wikimedia Foundation, Inc.. Web.28 May 2009.

FB友说:每个做父母的都应该去上儿童心理学,你认为呢?

艾瑞克森 ( Erikson) 教育家说:

“幼儿需要爱、安全感、受保护,因此我们先必须满足他们的需求,他们才会相信他的保育者和教育工作者。”



我和朋友在上着学前教育课程,科目包括儿童心理学,它能让我们更了解孩子们的心理、心智、体能等个发展。每一个小孩都是独特的个体,他们来自不同的家庭背景、文化与教育背景。。然而,我们是否只能用“一种方法”来教导单纯的孩子吗?
我们时常会和教授“提议” ,不妨让现今未来妈妈和老师们(准备教育小孩的大人) 提供他们一个了解孩子的心理学系~ 读了心理学,就会明白为何不同的孩子,需要用不同的方法。。共勉之~ 以下是其中一位心理学家;

Erik Erikson 把心理的发展划分为八个阶段,指出每一阶段的特殊社会心理任务;井认为每一阶段都有一个特殊矛盾,矛盾的顺利解决是人格健康发展的前提。艾氏认为,每个阶段心理、社会发展课题的完成、危机的解决,就会产生积...极的品质,反之,就会产生消极的品质。

  (一)基本的信任感对基本的不信任感(0—1.5岁)

  信任与不信任

  婴儿时期:这是获得信任感而克服不信任感阶段。所谓信任,是婴儿的需要与外界对他需要的满足保持一致。这阶段的婴儿对母亲或其他养育者表示信任,婴儿感到所处的环境是个安全的地方,周围人们是可以信任的,由此就会扩展为对一般人的信任。婴儿如果得不到周围人们的关心与照顾,他就会对外界特别是对周围的人产生害怕与怀疑的心理,以致会影响到下一阶段的顺利发展。

  (二)自主感对羞耻感与怀疑(2—3岁)

  自主与羞怯、疑虑

  婴儿后期:这是获得自主感而避免怀疑感与羞耻感阶段。个体在第一阶段处于依赖性较强的状态下,什么都由成人照顾。到了第二阶段,儿童开始有了独立自主的要求,如想要自己穿衣、吃饭、走路、拿玩具等,他们开始去探索周围的世界。这时候,如果父母及其他照顾他们的成人,允许他们独立地去干一些力所能及的事情,并且表扬他们完成的工作,就能培养他们的意志力,使他们获得一种自主感,能够自己控制自己。相反,如果成人过分爱护他们,处处包办代替,什么也不需要他们动手,或过分严厉,这也不准那也不许,稍有差错就粗暴地斥责,甚至采用体罚,就会使孩子产生自我怀疑与羞耻之感。

  (三)主动感与内疚感(4—5岁)

  主动与内疚

  幼儿期:这是获得主动感受而克服内疚感阶段。个体在这阶段的肌肉运动与言语能力发展很快,能参加跑、跳、骑小车等运动,能说一些连贯的话,还能把自己的活动扩展到超出家庭的范围,除了模仿行为外,个体对周围的环境充满了好奇心,知道自己的性别,也知道动物是公是母,常常问问这,动动那。这时候,如果成人对于孩子的好奇心以及探索行为不横加阻挠,让他们有更多机会去自由参加各种活动,耐心地解答他们提出的各种问题,而不是指责,那么孩子的主动性就会得到进一步的发展,表现出很大的积极性与进取心。反之,如果父母对儿童采取否定与压制的态度,就会使他们认为自己的游戏是不好的,自己提出的问题是笨拙的,自己在父母面前是讨厌的,致使孩子产生内疚感与失败感,这种内疚感与失败感还会影响下一阶段的发展。

  (四)勤奋对自卑感(6—11岁)

  儿童期:这是获得勤奋感避免自卑感阶段。儿童的智力不断地得到发展,特别是逻辑思维能力发展迅速,他们提出的问题很广泛,而且有一定的深度,他们的能力也日益发展,参加的活动已经扩展到学校以外的社会。这时候,对他们影响最大的已经不是父母,而是同伴或邻居,尤其是学校中的教师。他们很关心物品的构造、用途与性质,对于工具技术也很感兴趣。这些方面如果能得到成人的支持、帮助与赞扬,则能进一步加强他们的勤奋感,使之进一步对这些方面发生兴趣。

  (五)自我同一性对角色混乱(12—18岁)(识记)

  青年期:这一阶段的核心问题是自我意识的确立和自我角色的形成。青少年对周围世界有了新的观察与新的思考方法,他们经常考虑自己到底是怎样一个人,他们从别人对他的态度中,从自己扮演的各种社会角色中,逐渐认清了自己。此时,他们逐渐疏远了自己的父母,从对父母的依赖关系中解脱出来,而与同伴们建立了亲密的友谊,从而进一步认识自己,对自己的过去、现在、将来产生一种内在的连续之感,也认识自己与他人在外表上与性格上的相同与差别。认识自己的现在与未来在社会生活中的关系,这就是心理社会同一感。

  (六)亲密感与孤独感(18—25岁)

  成年早期:这是建立家庭生活的阶段,这是获得亲密感、避免孤独感阶段。亲密感是人与人之间的亲密关系,包括友谊与爱情。亲密的社会意义,是个人能与他人同甘共苦、相互关怀。亲密感在危急情况下往往会发展为一种互相承担义务的感情,它是在共同完成任务的过程中建立起来的。如果一个人不能与他人分享快乐与痛苦,不能与他人进行思想情感的交流,不相互关心与帮助,就会陷入孤独寂寞的苦恼情境之中。

  (七)繁殖感对停滞感(25—65岁)

  成年中期:这是获得创造力感,避免自我专注阶段。这一阶段有两种发展的可能性,一种可能是向积极方面发展,个人除关怀家庭成员外,还会扩展到关心社会上其他人,关心下一代以至子孙万代的幸福。他们在工作上勇于创造,追求事业的成功,而不仅是满足个人需要。另一种可能性是向消极方面发展,即所谓自我专注,就是只顾自己以及自己家庭的幸福,而不顾他人的困难与痛苦,即使有创造,其目的也完全是为了自己的利益。

  (八)自我整合对绝望感(65岁以后)

  成年晚期:自我完善——悲观失望,这是获得完美感,避免失望感阶段。如果前面七个阶段积极的成分多于消极的成分,就会在老年期汇集成完美感,回顾一生觉得这一辈子过得很有价值,生活得很有意义。相反,如果消极成分多于积极成分,就会产生失望感,感到自己的一生失去了许多机会,走错了方向,想要重新开始又感到为时已晚,痛不胜痛。于是产生了一种绝望的感觉,精神萎靡不振,马马虎虎混日子。






Study links:
http://fac.hsu.edu/langlet/lectures/dev/Erikson/erik_erikson.htm

Jean Piaget

皮亚杰(Piaget) 教育心理学家说:

“幼儿需要很多的双手操作活动,他们从尝试与错误中学习。在游戏为本的活动中,幼儿能进行实验与确定发现。”


Piaget is best known for his stages of cognitive development
Jean Piaget discovered that children think and reason differently at different periods in their lives. He believed that everyone passed through a sequence of four stages. Although every normal child passes through the stages in exactly the same order, there is some variability in the ages of the children at each stage.

Congnitive Theory A Revolutionary Idea





Jean Piaget was a child psychologist, professor, author, and biologist. Though he had many academic interests, his primary focus was the child psyche. He did a lot of research in the area of child psychology and his conclusion is what is known as Piaget's Stages of Mental Development. He recognizes four main stages in a child's life:

the Sensorymotor Stage (ages: birth to two),

the Preoperational Stage (ages: 2-7),

the Concrete Operational Stage (ages: 7-12), and

the Formal Operational Stage (ages: 12-15).

The Sensorymotor Stage, says Piaget, is when infants and babies are more concerned with learning about the physical world, objects, and their own physical development. The Preoperational Stage is when a child is learning and developing verbal skills, including reading and writing. The Concrete Operational Stage is when a child is beginning to understand abstract concepts, such as numbers and relationships. And, finally, the Formal Operational Stage is when a child "begins to reason logically and systematically" ("Jean Piaget").


Piaget's Stages of Mental Development




His Early Life
Jean Piaget was born in Neuchâtel, Switzerland, on August 9, 1896.
As a child he was very indpendent and took an early interest in nature, especially the collecting of shells. He attended After high school and after attended the University of Neuchâtel. Constantly studying and writing, he became sickly, and had to retire to the mountains for a year to recuperate. When he returned to Neuchâtel, he decided he would write down his philosophy.

After receiving a degree in zoology from the Univ. of Neuchâtel in1918, Piaget's interests shifted to psychology. He studied under C. G. Jung and Eugen Bleuler in Zürich, and then in Paris at the Sorbonne. He worked with Alfred Binet in the administration of intelligence tests to children. In reviewing the tests, Piaget became interested in the types of mistakes children of different ages were making.

After returning to Switzerland in 1921, Piaget began to study the reasoning processes of children at various ages; which lead him to developing his Cognitive Theory. By the end of his career, he had written over 60 books and many hundreds of articles. He died in Geneva, September 16, 1980, one of the most significant psychologists of the twentieth century.























"Jean Piaget." MSN Encarta. 2009. Microsoft Corporation

Tuesday, August 3, 2010

Visual art and Expressive art learnings

有些朋友会说:绘本那么‘少字’ 不值得买。而且又贵~
我会告诉他们,你们少买几件新衣,吃少好料就行了呀 >"<
也顺便‘传教’:绘本是长远的投资。绘本是孩子的财产。绘本往往幽默却最能潜移默化地将知识与正向概念内化到孩子心中!
不但如此,绘本除了教导文字还可以学习艺术,数学概念,体能、情绪、社交、道德、认知及语言等(儿童各方面的发展)

其实我们应该强调的是全儿童发展。上述五项发展是受到同等重视的。
五项发展之间亦存在相互影响以及互相辅助的作用,它们之间的关系应受到关注。

在此分享几个通过绘本进行其他学习领域的绘本学习课程 ^^

http://happyfamilyeu.blogspot.com/search/label/Storytelling


Part 1 -storytelling 《 跳舞 》绘本 跳舞(启发精选世界优秀畅销绘本)

other PictureBooks here :)
http://happylandpicturebook.blogspot.com/
other lesson here: HappylandChildrenArt




红泥巴书评
内容简介:
喜欢舞蹈的女儿不知道,她的爸爸一直都在看着她,从她小时候扮演一个玉米,到她成为台上美丽优秀的芭蕾舞者,到她恋爱出嫁,有了自己的家。爸爸一直微笑着看着她。直到爸爸生命最后一刻,舞蹈着的女儿仍然不知道,爸爸总是微笑地看着她。
这个故事的作者灵感来源于他自己的女儿,然而图画中的女孩确实却有其人的。绘者受画中女孩子的父亲所托为他画了女儿的画像,而这个女孩和母亲丧生于一起车祸。本书内外所蕴藏的故事与情感让每一位度过这本书的读者动容。作者的文字细腻深沉,绘者的图画更是显示出非凡的功力,写实的描画、凝重的色彩、潇洒的笔法,将这个动人的故事演绎的一如交响乐般宽广宏大。






Part 2 -Body movement (games)

materials prepared: card boxes ,marker pen ,scissors, small clips.

LET's FUN !


Thursday, June 24, 2010

D.I.Y Scouring Pad Alphabet !

Children learn best through these scouring pads alphabet because, the surface is rough that can stimulate children's senses through touching!

When we're teaching them (early years),hold their hand and trace the scouring pads ALPHabet ! Must Try *.* very effectively~







Monday, June 21, 2010

Why Young Children Learn Music

The study of music at a young age increases the quality of the child's early life experiences. Music can soothe, stimulate or entertain children. It provides pleasure, joy and an outlet for creative expression; it helps develop listening and auditory discrimination skills; it contributes to motor skill development (both large muscle and small muscle); and it increases the range and flexibility of the voice. Music can soothe emotions, invite enthusiasm and bring immense pleasure to the listener.

Eight Cool Things Music Does for Kids

1. Confidence and Poise: Music making offers children a chance to perform with and for others, and to develop confidence in their ability to make presentations for groups.

2. Perseverance and Commitment: As children become more skilled in singing, moving and playing instruments, they can see and hear the results of their efforts.

3. Coordination: The many movement activities associated with music experiences develop both small muscles and large muscles. The awareness of internal steady pulse, coordinated with external movements, helps children regulate their behavior.

4. Self-respect and Satisfaction: As musical skills develop, children feel a strong sense of satisfaction in their progress and develop a feeling of self-respect that transfers to other situations in life.

5. Creativity and Self-expression: Music experiences often invite individual creative responses and encourage children's imagination in other creative endeavors.

6. Pride in Achievement: Sharing music with peers and family reinforces the value of each child in the classroom, and children develop a sense of pride in their musical achievements.

7. Concentration and Problem-solving: Learning about music requires concentration and focus. When children are asked to analyze, compare and contrast sounds, they are actively engaged in problem-solving experiences.

8. Fun and Relaxation: Singing, moving, playing instruments and listening to music are all enjoyable experiences. Music making can provide hours of personal entertainment and relaxation throughout one's entire life.

在一个年轻的年龄增加了孩子的早期生活体验的质量研究音乐。音乐可以抚慰,刺激或招待儿童。它提供的乐趣,喜悦和创造性表达出一种,它有助于提高听力和听觉辨别能力,它有助于对运动技能的发展(包括大肌肉和小肌肉)和它增加的范围和声音的灵活性。音乐可以舒缓情绪,热情邀请和愉悦,带来巨大的听众。

8个很酷的事情,音乐确实为孩子

1。信心和风采:音乐制作为儿童提供一个机会,以执行与和他人,并发展他们的能力,使艺术团体的信心。

2。毅力和承诺:随着孩子的歌声变得更熟练,移动和演奏乐器,他们可以看到和听到他们的努力的结果。

3。协调:许多运动与音乐有关的活动经验,同时发展小肌肉和大肌肉群。内部稳定的脉冲的认识,与外部动作协调,帮助孩子调节自己的行为。

4。自我尊重和满意度:作为音乐技巧的发展,儿童在他们的进展感到满意的一个强烈的责任感和发展自我尊重的感觉,要在生活的其他情况下转移。

5。创造力与自我表达:音乐创作的经验往往邀请个别的反应和鼓励儿童的创造性的努力在其他的想象力。

6。在成就感到自豪:分享音乐与同龄人及家庭强化了每个孩子在课堂上的价值,并开发出儿童在他们的音乐成就感到自豪的感觉。

7。浓度和解决问题:关于音乐的学习需要集中,突出重点。当孩子被要求进行分析,比较和对比的声音,他们正积极参与解决问题的经验。

8。娱乐和休闲:唱歌,运动,演奏乐器,听音乐,都是愉快的经历。音乐创作可以为整个人的整个生命的个人娱乐和放松的时间。

Resources: http://www.carpentersmusic.com/should_learn






Edwin Gordon, a preeminent music educator and researcher, states that "Music aptitude is a product of both innate potential and early environmental experiences. . .regardless of the level of music aptitude with which children are born, they must have early formal and informal experiences in music in order to maintain that level of potential. Otherwise, the level of music aptitude they may be born with will never be fully realized in achievement. . . . (a child's) innate music aptitude, be it high or low, will diminish, possibly vanishing to almost nothing, without an early stimulating music environment." ( "All About Audiation and Music Aptitudes," Music Educators Journal, No. 41, Sep. 99)

埃德温戈登,一个杰出的音乐教育家和研究员指出,“音乐aptitude是一个潜在的产品既有先天和早期环境经验。。。不论音乐性向与该儿童出生水平,必须尽早正式和非正式的经验在音乐中,以维持这一潜在水平。否则,音乐智能水平,他们可能是出生时将永远不会完全实现实现。。。。(孩子)的先天音乐天赋,无论是高或低,将会减少,几乎没有可能消失无刺激的早期音乐环境。“ (“所有关于Audiation和音乐性向,”音乐教育杂志,41号,9月99)